Yutaka Inagawa
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Yutaka Inagawa
News
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Work

Whimsical paraphrases and manipulative displacements are intended to act as a wedge, causing a rupture in an already shaky rationality and feeding a burgeoning uncertainty.

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Meet the Sealion (Single-channel video, 17:49 minutes, 2022)

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Nurturing Nodes in the Nook of an Odd Sock (2024)

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Parallel Timelines: Digital Montages (2004-2020)

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Email Correspondence via Otherworldly Avatars (2024)

Speak Spindle つむ・くち (solo exhibition)

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Fluxosphere (solo exhibition)

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eASY mECHANISM | 符と思う (solo exhibition)

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Read & Wear (2021)

 Say to Day  Multilingual cross-discipline exploration  En /  中  /  日   Artist: Yutaka Inagawa  Curator: Ying Kwok    Launch date: 19 December 2020    Website:  www.say-to-day.com   IG:  https://www.instagram.com/say.to.day/     Say to Day is an onli

Say to Day (2020)

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Say to Day Conversation

Yutaka Inagawa on Shooshie Sulaiman (writing)

 Installation shot from Another Pair of Eyes (Library at Duddell's)

Another Pair of Eyes (2019-2020)

all photos by Kiyohito Mikami

Bring Your Own Light (2019)

installation shot at Creative Center Osaka (4/F), all photos by Kiyohito Mikami

ONLY CONNECT OSAKA (2019)

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5 pencils are Mt.Fear (2019)

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Transparent / Fluorescent Uncanny (V) (2018)

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Floating Urban Slime/Sublime (2017)

 Authors, poets, and artists from various backgrounds were invited to contribute. The collected work was then used to generate a total of 81 images, which were uploaded one per day to various social media to establish a digital presence parallel to A

FUSS CountDown (2017)

 Seating for both the artists and the audience was dispersed throughout Art Gallery Miyauchi. This seating configuration encouraged the audience to become an integral part of the artwork in the space.

FUSS TALK (2017)

FUSS Performance (2017)

Dazzling Climbing Hold_02, 2018, wall-based installation

Dazzling Climbing Hold_02 (2018)

 The installation treats painting as a porous body rather than a sealed façade. Unfinished canvases—graphite vectors exposed, primer still breathing—behave like membranes, absorbing foreign matter as they negotiate their own becoming. Circling them a

Haru no Niwa (2018)

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ONLY CONNECT

one page advert on Glass Magazine Change issue 2017, design by Studio Niji

dr/op: Beyond Boundaries (2017)

   
  
   
  
    
  
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dr/op (2016)

Otak Jepun (2015) Kuala Lumpur

Dogs in a Room (2015)

Invasion of Cyberspace (2014) London

The Standstill of Painting (2014)

Sensory Cocktails (2009) Seoul

   
  
   
  
    
  
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Collaboration with Glass Magazine (2015)

plant/usb, river/eraser, mouth/wash and tummy/battlefield

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